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The Adelaide Festival is as much shaped by people and place as it in turn shapes people and place; its identity is a weird and wild shifting thing. It is not ow

First, do no harm. How do we defend the "truth" when no one agrees what it is and many have reason to undermine it? Very freely adapting Professor Bernhardi by

This book, the first of its kind, surveys the career of the renowned Australian-German theatre and opera director Barrie Kosky. Its nine chapters provide multid

The Festival Cities of Edinburgh and Adelaide examines how these cities’ world-famous arts events have shaped and been shaped by their long-term interaction w

In the early 1960s the board of governors of the Adelaide Festival of Arts in Australia rejected two Patrick White plays, The Ham Funeral in 1962 and Night on B