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How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann ai

How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann ai

This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt’s thoughts on the American and French Revolution, it argu

Typically, films are suspenseful when they keep us on the edge of our seats, when glimpses of a turning doorknob, a ticking clock, or a looming silhouette quick