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A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Femminile, a pioneering feminist collective in Italy. Rather th

To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The

Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the fi

This book is the first critical interdisciplinary examination in English of Italian women’s contributions to intellectual, artistic, and cultural production i

Recorded and transcribed throughout the 1960s, Carla Lonzi's Self-portrait ruptures the linear tradition of art-historical writing. Lonzi first abolishes the ro