Book excerpt: Hines places his work within an international context: as Gill's identification with the modern movement developed, his work evolved from the influence of the East Coast Shingle Style and Wright's Midwest Prairie Style to become closer in spirit to the work of the Austrian Adolf Loos. Gill and Loos were both admired by the second-generation modernists Rudolph Schindler and Richard Neutra, who studied under Loos in Vienna and learned from Gill in Los Angeles. Hines also explores the social dimensions of Gill's work.