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The possibility that works of art and literature might be forged and that identity might be faked has haunted the cultural imagination for centuries. That spect

This book simultaneously tells a story—or rather, stories—and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given

Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Goth