Book excerpt: “Eternal Spring Street: Los Angeles’ Architectural Reincarnation“ is a celebratory pictorial edition recounting the evolution and transformation of one of downtown Los Angeles’ primary boulevards. The edition features photographs of buildings and architectural details that line the blocks of North and South Spring Street. The book traces colorful legends, anecdotes and landmarks that preceded current standing constructions. The once modest dirt highway was originally called the Old Brea Road, servicing as a major commercial artery originating from the Los Angeles’ El Pueblo settlement and separating in the direction of the LaBrea Tar Pits and the Cahuenga Pass (present day Hollywood). Spring Street officially derived its name from Trinidad Primavera Ortega, the girlfriend of Lieutenant Edward Ord who drafted the city’s initial survey map in 1849 that included street naming rights. Primavera is the Spanish name for Spring and Ord designated the honor to Ortega (the nickname he called her). She was also the granddaughter of Spanish explorer Jose Francisco Ortega. The El Pueblo settlement was established in the mid-18th century along the then fertile banks of the Los Angeles River. The colony’s terrain was agriculturally cultivated for vineyards, cattle ranching and later citrus groves before an encroaching urban environment altered the complexion of city towards the close of the 19th century. Drawing from varied archival documentation and narratives, Vickers traces the four stages of evolution of Spring’s transformation including: 1) retail center, 2) cradle of Silent Film movie production offices, 3) bank and financial institution headquarters and 4) contemporary retail, office and residential mixed-use developments. The most current Spring Street reinvention followed a prolonged period of four-decade stagnation following World War II. “Eternal Spring Street” further documents numerous colorful and influential contributors to the local opulent history. Among the profiled personalities include John Temple, William Wolfskill, Jean-Luis Vignes, Abel and Arcadia Sterns, Pio Pico, Isaias Hellman, Joaquin Murrieta (his severed and pickled head), Ozro Childs, John C. Fremont, John Parkinson, Prudent Beaudry, George Lehman, Biddy Mason, Remi Nadeau, Sarah Bernhardt (her severed leg), James J. Jeffries, George Ralphs and many others. The book profiles each distinctive building’s architectural lineage and unique legacy that have been often historically overlooked. The buildings photographed include: the Los Angeles City Hall Complex, United States Court House, Foltz Criminal Justice Center, Los Angeles Times, Douglas Building, Washington Building, Ronald Reagan Building, Hellman Annex and Banco Popular Building, Title Insurance Building, Crocker Citizen National Bank, The Braly/Continental Building, El Dorado/Stowell Hotel, Rowan & Chester Building, Alexandria Hotel, Spring Arcade Building, Pacific Southwest Bank, Security Building, Los Angeles Theatre Center, Merchant & Lloyd’s Bank, Hotel Hayward, E. F. Hutton, California Canadian Bank, Barclays Bank, A. G. Bartlett Building, United California Bank, Los Angeles Stock Exchange, Mortgage Guaranty Building, Banks & Huntley Building, Bank of America, I. N. Van Nuys Building, Lane Mortgage, William May Garland Building. Marsh & Strong Building, Financial Center Building, Renco Films, Great Republic Life Building and National City Tower.