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In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality,

Cites examples in art, architecture, and history to consider whether ugliness is an aesthetic judgment subject to taste, considering whether an object whose app

This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain

Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics – alternately vilified and appropriated, used either to shock or to inve

"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repul