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Despite recent societal anti-political sentiments, Italian cinema has continued to address politics, including reflections on public life, memory, and national

An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition Traditionally, the definition of political cinema assume

Om Francesco Rosi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio, Gillo Pontecorvo, Elio Petri, Lina Wertmüller.

Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema. By examining the wo

The legacy of Italy's experience of political violence and terrorism in the anni di piombo ('years of lead', c. 1969-83) continues to exercise the Italian imagi