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This second fascicle includes two further suites from the Ichikotsu-chō mode-key group, namely Toraden, which probably originated in the early eighth century,

The seventh volume in this study of the music of the Tang Court.

The fifth volume in this study of the music of the Tang Court.

This fourth fascicle publishes fourteen items, from the second scroll of pieces belonging to the Ichikotsu-cho mode-key group.

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become neces