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Traversing the themes of language, terror and representation, this is the first study to engage Coleridge through the sublime, showing him to have a compelling

Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions "sublime." This has always seemed mysterious, since the same re

This book studies and articulates the emergence from the poetical subtext of six major English romantics of "the androgynous sublime", a mode that conflates the

Throughout, close attention is paid to Coleridge the writer, the metaphor-maker and stylist, exhibited across the wide range of his oeuvre, in public and privat