Book excerpt: In Walter Benjamin for Children, readers will encounter a host of intertextual surprises: an evocation of the flooding of the Mississippi informed by the argument of "The Task of the Translator"; a discussion of scams in stamp-collecting that turns into "The Work of Art in the Age of Mechanical Reproduction"; a tale of bootlegging in the American South that converges with the best of Benjamin's forays into fiction. Mehlman superimposes a dual series of texts dealing with catastrophe, on the one hand, and fraud, on the other, and allows it to resonate with the false-messianic theology of Sabbatianism as it came to focus the attention and enthusiasm of Benjamin's friend Gershom Scholem during the same years. The radio scripts for children offer an unexpected byway, on the eve of apocalypse, into Benjamin's messianic preoccupations.