Imperialism and Theatre

Download or Read eBook Imperialism and Theatre PDF written by J. Ellen Gainor and published by Psychology Press. This book was released on 1995 with total page 284 pages. Available in PDF, EPUB and Kindle.

Author	: J. Ellen Gainor
Publisher	: Psychology Press
Total Pages	: 284
Release	: 1995
ISBN-10	: 0415106419
ISBN-13	: 9780415106412
Rating	: 4/5 (19 Downloads)

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Book Synopsis Imperialism and Theatre by : J. Ellen Gainor

Book excerpt: First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Imperialism and Theatre Related Books

Language: en
Pages: 284

Imperialism and Theatre

Authors: J. Ellen Gainor

Categories: Language Arts & Disciplines

Type: BOOK - Published: 1995 - Publisher: Psychology Press

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Language: en
Pages: 284

Imperialism and Theatre

Authors: J. Ellen Gainor

Categories: Performing Arts

Type: BOOK - Published: 2003-09-02 - Publisher: Routledge

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Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world

Language: en
Pages: 444

Staging Governance

Authors: Daniel O'Quinn

Categories: Drama

Type: BOOK - Published: 2005-11-30 - Publisher: JHU Press

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At the same time, official speeches and proceedings on colonial practices, such as the public trials of Clive and Hastings, became theatrical events themselves.

Language: en
Pages: 328

The Colonial Public and the Parsi Stage

Authors: Rashna Darius Nicholson

Categories: Performing Arts

Type: BOOK - Published: 2021-02-27 - Publisher: Springer Nature

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The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural p

Language: en
Pages: 290

Nineteenth-Century Theatre and the Imperial Encounter

Authors: Marty Gould

Categories: Performing Arts

Type: BOOK - Published: 2011-05-09 - Publisher: Routledge

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In this study, Gould argues that it was in the imperial capital’s theatrical venues that the public was put into contact with the places and peoples of empire